Summary: A Polish woman gets invited home to meet a coworker's parents. Cue horror movie. Low budget, decent in that it often implies even worse things, but, unsurprisingly, not perfect.
Summary: A Polish woman gets invited home to meet a coworker's parents. Cue horror movie. Low budget, decent in that it often implies even worse things, but, unsurprisingly, not perfect.
BLOT: (19 Oct 2011 - 11:04:10 PM)
Watched
From here, we got a situation. Lena is chained up and is being forceably inducted into the family as long as she plays by the rules. What rules? Well, do whatever crazy batshit thing Mum or Dad want her to do: stay still and be quiet as Mum cuts you with a scalpel and carves shapes into you, sort through stolen goods and loot from the victims, be tolerate of Dad's massive porn addiction and his tendency to use body parts in his self-pleasurings, mostly be sweet like an Angel. etc. etc. Eventually, of course, she will have to give in and help them out in their depravity. In some ways, it is much a vampire movie, just minus the bloodsucking, and she is the unwilling convert who fights back against her new "brood".
On the upside, the film's low budget means that most of the actual beatings and tortures are off-screen. Nothing like hearing a buzzsaw and/or someone screaming through muffled walls to get a feeling of dread creeping. Fans of direct, in your face violence will balk, but since there is no upper bound of direct screen violence while there is often and upper bound for proper mood setting, I'll take
Also on the upside, you got Benson as Dad pulling a nutter act from deep down: equally Ed Gein and a surburban blue collar worker at the same time (which I guess makes him a mix Gein and...Gein). His screams about the importance of family would not seem out of place in a domestic drama about a wayward daughter, even if he is referring to alerting the authorities, etc etc. Fedori, as Lena, works well. In some scenes she looks 14 and very fragile. In others like a sweet little thing just wanting to make her parents happy. Then you get flashes of anger. Personally, I'd imagine some survival instinct would have turned her brain off here or there, with more numbness, but the movie doesn't have time to go full psych-101.
Finally, movie manages to sustain a very closed off, nightmare feel. Who knows what will set Mum or Dad off? The doors are locked, a person is always watched or chained in. Very effective sense of being trapped and not quite able to get away. Seriously. Someone was tapping into a bad dream he or she had once.
Chief downside is that it does little, outside of relying on implication rather than direct showing, that hasn't been done before. There a few scenes where the effects breakdown: a really bad black eye shows up, and a suitcase beating the simply doesn't work because after the beating starts, and Lena is supposedly trapped inside, it suddenly gets flatter and stops moving. Finally, the rate of killings compared to the time between feels a bit ridiculous. Maybe the time stamp is meant to be more like months than weeks, but it feels like a couple of weeks at best. You get at least a half-dozen killings in that time, including some of the neighborhood folk. That many bodies makes a smell. Someone is going to smell the rot. Etc.
Fair movie that makes use of what it has more than others that clearly have more, mostly coming down to the acting and the nightmare-like tension build up, with bits of "Oh...oh..." that are almost funny speckled throughout. Rental more than purchase, and do the old trailer bit before you sink into it, but I feel it's at least worth a once through.
OTHER BLOTS THIS MONTH: October 2011
Written by Doug Bolden
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